SONY SEL16F18G

52,300.00

SONY SEL16F18G

Dynamic perspectives and smooth bokeh at 16 mm

With a 16 mm angle of view and F1.8 aperture, the FE 16 mm F1.8 G can capture wide-angle imagery with gorgeous background bokeh. This expressive prime G Lens™ is great for scenery, architecture, starry skies, and more. It also offers outstanding close-up capability and precise, quiet AF. The FE 16 mm F1.8 G accepts standard 67 mm filters, is compact and lightweight, and is easy to balance on a gimbal.

  • 16 mm ultra-wide G Lens with a stunning blend of high resolution and beautiful bokeh at F1.8
  • Outstanding large-aperture ultra-wide performance in a compact, lightweight lens
  • Two XD linear motors for fast, precise, quiet autofocus that supports high-level imaging
  • Features and performance refined for professional movie quality
  • Comprehensive control and solid reliability with independent focus and aperture rings
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Description

SONY SEL16F18G

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Dynamic perspectives and smooth bokeh at 16 mm

With a 16 mm angle of view and F1.8 aperture, the FE 16 mm F1.8 G can capture wide-angle imagery with gorgeous background bokeh. This expressive prime G Lens™ is great for scenery, architecture, starry skies, and more. It also offers outstanding close-up capability and precise, quiet AF. The FE 16 mm F1.8 G accepts standard 67 mm filters, is compact and lightweight, and is easy to balance on a gimbal.

Dynamic perspectives and smooth bokeh at 16 mm

With a 16 mm angle of view and F1.8 aperture, the FE 16 mm F1.8 G can capture wide-angle imagery with gorgeous background bokeh. This expressive prime G Lens™ is great for scenery, architecture, starry skies, and more. It also offers outstanding close-up capability and precise, quiet AF. The FE 16 mm F1.8 G accepts standard 67 mm filters, is compact and lightweight, and is easy to balance on a gimbal.

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FE 16 mm F1.8 G

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Outstanding resolution at ultra-wide 16 mm angle of view

Two AA (Advanced Aspherical) lens minimize field curvature and astigmatism for stunning image-wide resolution at all apertures. One Super ED (Extra-low Dispersion) glass element and three ED elements suppress chromatic aberration right out to the image periphery, while an optimized coating minimizes flare and ghosting. This is an ideal lens for creating dynamic, spectacularly resolved wide-angle perspectives.

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Gorgeous G Lens bokeh and outstanding close-up performance

This G Lens delivers stunning bokeh with its large F1.8 maximum aperture, 11-blade circular iris, and carefully controlled spherical aberration. Close-up performance is excellent with a minimum focus distance of 0.15 m/0.5 ft and maximum magnification of 0.25x when using AF (0.13 m/0.43 ft, 0.30x for MF). All of this makes it possible to capture unique wide-angle perspectives with deep, exquisite bokeh.

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Large-aperture ultra-wide performance in a compact lens

The use of aspherical lens elements, including Sony’s high-precision AA (Advanced Aspherical) lens, has made it possible to create a full-frame ultra-wide lens that is a compact 3 x 3 inch (73.8 x 75 mm) and weighs just 10.8 oz (304 g). It is small, lightweight, and mobile while delivering spectacular imaging performance for a wide range of subjects including landscapes, architecture, night scenes, and more.

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Fast, precise autofocus supports high-level imaging

Two XD (extreme dynamic) linear motors ensure fast, precise AF and tracking. A control algorithm developed specifically for the XD linear motors achieves enhanced response that largely negates delay and vibration that can occur when driving a large focus group, for exceptionally quiet, low-vibration operation. All of this makes it possible to capture important moments when shooting active, fast-moving subjects.

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Refined, stable performance for movies

Advanced lens technology reduces focus breathing so that changes in angle of view are minimized for smooth movie footage. The breathing compensation function provided in compatible α bodies is also supported, and in-body Active Mode image stabilization can make it easy to capture stable wide-angle movie imagery while walking. The lens accepts standard 67 mm filters, and is easy to balance on a gimbal.

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Comprehensive control and solid reliability

A focus ring, focus hold button, focus mode switch, aperture ring, and iris lock switch are provided. Alternative functions can be assigned to the focus hold button. The aperture ring provides hands-on control, while a click ON/OFF switch adds versatility. A focus mode switch allows instant autofocus/manual switching. A dust and moisture resistant design and fluorine front-element coating maximize reliability.

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Lens configuration

Impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist’s vision.

[1] Advanced Aspherical lens (AA lens) [2] Aspherical lens [3] Super ED glass [4] ED (Extra-low Dispersion) glass
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MTF Chart

MTF (Modulation Transfer Function) describes how well a lens can reproduce fine details, measured as the degree of contrast achieved between finely spaced lines.

[1] Contrast (%) [2] Distance from optical center of lens (mm) [3] Max. aperture [4] F8 aperture [5] Spatial frequency [6] 10 line pairs/mm [7] 30 line pairs/mm [8] Radial values [9] Tangential values

Advantages of Sony’s lenses for video shooting

Learn the four unique advantages of using Sony’s E-mount lenses for video shooting. The combination of Sony’s lenses and cameras will enhance your video creation experience.

Lens Controls

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1. Focusing ring 2. Aperture index 3. Aperture ring 4. Focus hold button 5. Focus mode switch 6. Iris lock switch 7. Aperture click switch

SONY SEL16F18G SPECIFICATIONS

Mount Sony E-mount
Format 35 mm full frame
Focal Length (mm) 16
35 mm equivalent focal length (APS-C) 24
Lens Groups / Elements 12–15
Angle of View (35 mm) 107°
Angle of View (APS-C) 83°1
Maximum aperture (F) 1.8
Minimum Aperture (F) 22
Aperture Blades 11
Circular Aperture Yes
Minimum Focus Distance 0.5 (AF), 0.43 (MF) ft (0.15 (AF), 0.13 (MF) m)
Maximum Magnification ratio (x) 0.25 (AF), 0.3 (MF)
Filter Diameter (mm) 67
Image stabilization (SteadyShot) – (body-integrated)
Teleconverter compatibility (x1.4)
Teleconverter compatibility (x2.0)
Hood Type Petal shape, bayonet type
Dimensions (D x L) 3 x 3 in. (73.8 x 75 mm)
Weight 10.8 oz. (304 g)
What’s In The Box Hood (model):ALC-SH184 Lens front cap:ALC-F67S Lens rear cap: ALC-R1EM Case:-
 

FEATURES

Outstanding resolution in ultra-wide views Two AA (Advanced Aspherical) lens minimize field curvature and astigmatism for stunning image-wide resolution at all apertures. One Super ED (Extra-low Dispersion) glass element and three ED elements suppress chromatic aberration, while an optimized coating minimizes flare and ghosting. This is an ideal lens for creating spectacular wide-angle images.
The beauty of G Lens™ bokeh at F1.8 When beautiful bokeh is the goal, this G Lens really delivers with its large F1.8 maximum aperture, 11-blade circular aperture mechanism, and carefully controlled spherical aberration.
Eye-opening close-up performance Close-up performance is excellent with a minimum focus distance of 0.5 ft (0.15 m) and maximum magnification of 0.25x when using AF (0.43 ft (0.13 m), 0.30x for MF). The ability to get that close with an ultra-wide lens makes it possible to capture dynamic perspectives with deep, exquisite bokeh.
Large-aperture, ultra-wide, and compact Aspherical lens elements, including Sony’s high-precision AA (Advanced Aspherical) lens, result in a full-frame ultra-wide lens that is 3 x 3 in (73.8 x 75 mm) and weighs just 10.8 oz. (304 g). It is compact, lightweight, and mobile while delivering spectacular imaging performance for a wide range of subjects including landscapes, architecture, night scenes, and more.
Advanced AF supports high-level imaging Two XD (extreme dynamic) linear motors ensure fast, precise AF and tracking. A dedicated control algorithm achieves enhanced response with minimal delay and vibration so that the lens’ large focus group is driven smoothly and quietly. All of this makes it easier to capture the most important moments when shooting active, fast-moving subjects.
Refined, stable performance for movies Focus breathing is controlled so that angle of view shifts are minimized for smooth movie footage. The breathing compensation function in compatible α bodies is also supported, and in-body Active Mode image stabilization makes it easy to shoot stable movies while walking. The lens accepts 67 mm filters, and is compact, lightweight, and easy to balance on a gimbal.
Comprehensive control In addition to the normal focus hold function, other functions can be assigned to the focus hold button via the camera controls as needed. A focus mode switch conveniently located on the side of the lens barrel makes it easy to switch between auto and manual focus without having to take your eye off the viewfinder.
Natural linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise.
Aperture ring with click ON/OFF switch An aperture ring provides on-the-fly aperture control, and a click ON/OFF switch optimizes aperture ring operation for different types of shooting. The click stops can be turned ON to provide tactile feedback when shooting stills, or OFF for quiet, continuous aperture control when shooting movies.
Iris lock prevents unwanted aperture changes An iris lock switch prevents unwanted aperture changes while shooting. When locked, the aperture is either locked at the [A] position or can be rotated between any of the manual settings.
Extra reliability for outdoor shooting A dust and moisture resistant design provides ample reliability when shooting outdoors. The front element features a fluorine coating that repels contaminants and makes the lens easier to clean.
Environmentally conscious Sony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through supply chain, production, and packaging. We are also transitioning to non-plastic packaging materials. Plant-based non-woven fabrics are used for product bags.
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