Description
SONY ILME-FX2
Fulfil your cinematic dreams
Fulfil your cinematic dreams
The gateway to cinematography
As a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony’s top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.
The gateway to cinematography
As a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony’s top-level VENICE series. With high mobility, operability, expandability and reliability, it’s ideal for solo shooting, and features enhanced still image functions designed to support filmmaking.
For that professional cinematic look
Solo shooting freedom
Operability for professional filmmaking
For that professional cinematic look
The FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with cinematic, expressive, capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.
For that professional cinematic look
The FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with cinematic, expressive, capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.
Cinematic expression with a full-frame sensor
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.
Outstanding image quality for maximum editing flexibility
The FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.
Log recording modes for production flexibility
For creative flexibility, there are three modes available for Log recording—Flexible ISO, Cine EI, and Cine EI Quick—with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.
Multiple recording formats for versatile shooting and editing
7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35 mm mode. With 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.
[1] Recording format [2] Shooting frame rate [3] Recording frame rate [4] When recording in XAVC HS format, 29.97p or 25p is not available.
Import up to 16 user LUTs
With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for post-production.
Create moods right in the camera
Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.
Desqueeze display for anamorphic lenses
Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.39:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor and Control app provides even more detailed settings for monitoring on a tablet or other external display devices.
Frame rate freedom
An FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120fps.
An extensive range of expressive E-mount lenses
Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.
Designed for solo shooting
Combining some video shoot features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.
Designed for solo shooting
Combining some video shoot features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.
Compact and lightweight with built-in accessory mount points
With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 6.35 mm screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.
AI-based Real-time Recognition AF
Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognized subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30.
Fine-tuned focus control
AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.
Automatic framing using advanced AI
The FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.
Stabilization for dynamic handheld shooting
Active Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage for efficient post-production.
Stills at the flip of a switch
A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.
Visual consistency across stills and videos
The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Blackmagic Design DaVinci Resolve, ready for a variety of uses while maintaining the same look.
Operability for professional filmmaking
The FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production.
Operability for professional filmmaking
The FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production.
Tiltable high-definition electronic viewfinder
Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50 mm lens, infinity focus, -1 m diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.
Frequently used parameters all in one place
The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.
Effective heat management
Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.
Plenty of power for long shoots
A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.
Digital audio without degradation
With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.
Easy live streaming
The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.
CFexpress Type A memory card support
Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.
4:2:2 10bit or 16bit RAW output via HDMI
An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post-production. 16-bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.
Compact yet easy to operate
The FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability, concentrating key controls around the grip and with easily pressable long-stroke buttons on the top panel.
Dust- and moisture-resistant design
Numerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions.
Durable magnesium alloy body
The FX2’s main body is constructed from a lightweight magnesium alloy to enhance durability and performance even in harsh environments.
Connectivity for high expandability
In addition to an HDMI Type-A port, the FX2 is equipped with a USB Type-C port for power and communication, Multi/Micro USB terminal, a headphone jack and a mic jack, allowing high expandability for diverse shooting situations and needs.
Flexible vari-angle LCD monitor
The high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles without interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position.
Tally lamps and high visibility recording indication
The camera is equipped with tally lamps on both its front (top) and back. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording.
Monitor and Control
Sony’s Monitor and Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.
Catalyst Browse, Catalyst Prepare/Plugin
The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production.
Creators’ Cloud platform
Creators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.
Cloud Upload (camera direct)
Recorded files can be directly uploaded to Creators’ Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Google Drive™ or Adobe Lightroom to suit your workflow.
For a better planet
For a better planet
Environmentally conscious
Sony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging.
Non-plastic packaging materials
Sony is working toward the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress.
Greater accessibility for all users
Accessibility features, such as a menu magnifier and a screen reader that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.
ILME-FX2/ILME-FX2B FULL SPECIFICATIONS
| CAMERA TYPE | Interchangeable lens digital camera |
| Lens Mount | E-mount |
| LATITUDE | 15+ stops (S-Log3) |
| SENSOR TYPE | 35 mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor |
| NUMBER OF PIXELS (Total) | Approx. 34.1 megapixels |
| NUMBER OF PIXELS (EFFECTIVE) | Still images: Approx. 33.0 megapixels max.1, Movies: Approx. 27.6 megapixels max.1 |
| OPTICAL LOW-PASS FILTER | Yes |
| COLOR TEMPERATURE RANGE | 2500 K–9900 K |
| Anti-Dust System | Yes |
| RECORDING FORMAT | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant) |
| IMAGE SIZE (PIXELS) [3:2] | 35 mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M) |
| IMAGE QUALITY MODES | RAW, JPEG, HEIF (4:2:0/4:2:2), RAW and JPEG, RAW and HEIF |
| 14bit RAW | Yes |
| VIDEO COMPRESSION | XAVC HS: MPEG-H HEVC/H.265, XAVC S: MPEG-4 AVC/H.264 |
| AUDIO RECORDING FORMAT | LPCM 2ch (48 kHz 16bit), LPCM 2ch (48 kHz 24bit)2, LPCM 4ch (48 kHz 24bit)2 |
| MOVIE RECORDING FORMAT (XAVC HS 4K) | 3840 x 2160 (4:2:0, 10bit) (Approx.): 59.94p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps), 50p (200 Mbps / 100 Mbps) |
| MOVIE RECORDING FORMAT (XAVC S 4K) | 3840 x 2160 (4:2:0, 8bit) (Approx.): 59.94p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (200 Mbps), 29.97p (140 Mbps), 23.98p (100 Mbps), 50p (200 Mbps), 25p (140 Mbps) |
| MOVIE RECORDING FORMAT (XAVC S HD) | 1920 x 1080 (4:2:0, 8bit) (Approx.): 119.88p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps), 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (50 Mbps), 29.97p (50 Mbps), 23.98p (50 Mbps), 50p (50 Mbps), 25p (50 Mbps) |
| MOVIE RECORDING FORMAT (XAVC S-I 4K) | 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps) |
| MOVIE RECORDING FORMAT (XAVC S-I DCI4K) | 4096 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps), 24.00p (240 Mbps) |
| MOVIE RECORDING FORMAT (XAVC S-I HD) | 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps), 29.97p (111 Mbps), 23.98p (89 Mbps), 50p (185 Mbps), 25p (93 Mbps) |
| SLOW AND QUICK MOTION (SHOOTING FRAME RATE) | Yes |
| PROXY RECORDING | Yes |
| TC/UB | Yes |
| RAW OUTPUT | Yes (HDMI) |
| Memory Card Slot | SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card |
| FOCUS TYPE | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| FOCUS POINT | Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF) |
| FOCUS SENSITIVITY RANGE | EV–4 to EV20 (ISO 100 equivalent with F2.0 lens attached) |
| RECOGNITION TARGET (STILL IMAGES) | Auto, Human, Animal, Bird, Insect, Car, Train, Airplane |
| RECOGNITION TARGET (MOVIES) | Auto, Human, Animal, Bird, Insect, Car, Train, Airplane |
| Other Features | AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie) |
| METERING TYPE | 1200-zone evaluative metering |
| METERING SENSITIVITY | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
| EXPOSURE COMPENSATION | =+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) |
| ISO SENSITIVITY | Still images: ISO 100–51200 (expandable to ISO 50–204800), AUTO (ISO 100–12800, selectable lower limit and upper limit), Movies: ISO 100–51200 equivalent (expandable to ISO 102400), AUTO (ISO 100–12800, selectable lower limit and upper limit) |
| ANTI-FLICKER SHOOT. | Yes3 |
| TYPE | 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED) |
| Number of Dots | 3 686 400 dots |
| Magnification | Approx. 0.70x (with 50 mm lens at infinity, –1 m-1) |
| DIOPTRE | –4.0 to +3.0 m-1 |
| Eye Point | Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m-1 (CIPA standard) |
| Finder Frame Rate Selection | STD 60 fps / HI 120 fps |
| Monitor Type | 7.5 cm (3.0-type) type TFT |
| TOUCH PANEL | Yes |
| Number of Dots | 1 036 800 dots |
| Adjustable Angle | Opening Angle: Approx. 176°, Rotation Angle: Approx. 270° |
| CLEAR IMAGE ZOOM (STILL IMAGES) | Approx. 2x |
| CLEAR IMAGE ZOOM (MOVIES) | Approx. 1.5x (4K), Approx. 2x (HD) |
| Shutter Type | Mechanical shutter / Electronic shutter |
| Shutter Speed | Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s |
| Flash Sync. Speed | 1/160 s (35 mm full frame), 1/200 s (APS-C)4 |
| Electronic Front Curtain Shutter | Yes |
| Type | Image sensor-shift mechanism with five-axis compensation (compensation depends on lens specifications) |
| Compensation Effect | Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.) |
| MODE | Still images: On/Off, Movie: Dynamic active/Active/Standard/Off |
| Continuous Drive Speed (approx. max.) | Hi+: 10 fps[5 |
| NO. OF FRAME RECORDABLE (APPROX.) | JPEG Extra fine L: over 1000 frames5, JPEG Fine L: over 1000 frames5, JPEG Standard L: over 1000 frames5, RAW: over 1000 frames5, RAW and JPEG: over 1000 frames5, RAW (Uncompressed): over 1000 frames5, RAW (Uncompressed) and JPEG: over 1000 frames5, RAW (Lossless Compressed): over 1000 frames5, RAW (Lossless Compressed) and JPEG: over 1000 frames5 |
| MODES | Enlarged Image, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture |
| FUNCTIONS | Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Vari-angle LCD screen, Custom function, Enlarge Screen |
| PC INTERFACE | Mass-storage / MTP |
| MULTI/MICRO USB TERMINAL | Yes6 |
| USB TYPE-C TERMINAL | Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible) |
| WIRELESS LAN (BUILT-IN) | Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))78 |
| Bluetooth® | Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band)) |
| HDMI OUTPUT | HDMI connector (Type-A), 4096 x 2160 (59.94p/50p/29.97p/25p/24.00p/23.98p)/3840 x 2160 (59.94p/50p/29.97p/25p/23.98p) / 1920 x 1080 (59.94p/50p/23.98p) / 1920 x 1080 (59.94i/50i), YCbCr 4:2:2 10bit / RGB 8bit, 4672 x 2628 (59.94p/50p/29.97p/25p/24.00p/23.98p), Raw 16bit |
| Multi Interface Shoe | Yes (with Digital Audio Interface)9 |
| Mic Terminal | Yes (3.5 mm Stereo minijack) |
| Headphone Terminal | Yes (3.5 mm Stereo minijack) |
| REMOTE CONTROL (WIRELESS) | Yes (Bluetooth remote control) |
| FUNCTIONS | Send to smartphone, Remote control via smartphone, Remote Shooting |
| VIDEO DATA FORMAT | MJPEG, YUV42010 |
| VIDEO RESOLUTION | 3840 x 2160 (14.99p/29.97p), 1920 x 1080 (29.97p/59.94p), 1280 x 720 (29.97p), 3840 x 2160 (12.5p/25p), 1920 x 1080 (25p/50p), 1280 x 720 (25p) |
| AUDIO DATA FORMAT | LPCM 2ch (16 bit 48 kHz) |
| VIDEO DATA FORMAT | MPEG-4 AVC/H.264, MPEG-H HEVC/H.265 11 |
| VIDEO RESOLUTION | 3840 x 2160 (29.97p/59.94p), 3840 x 2160 (25p/50p), 2560 x 1440 (29.97p/59.94p), 2560 x 1440 (25p/50p), 1920 x 1080 (29.97p/59.94p), 1920 x 1080 (25p/50p), 1280 x 720 (29.97p/59.94p), 1280 x 720 (25p/50p) |
| AUDIO DATA FORMAT | AAC-LC 2ch (16bit 48 kHz) |
| PROTOCOL | RTMP, RTMPS, SRT |
| Microphone | Built-in, stereo |
| Speaker | Built-in, monaural |
| SETTING | Shading, Chromatic Aberration, Distortion, Breathing (Movie) |
| SUPPLIED BATTERY | One rechargeable battery pack NP-FZ100 |
| Battery Life (Still Images) | Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)12 |
| Battery Life (Movie, actual recording) | Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)13 |
| Battery Life (Movie, continuous recording) | Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard) |
| Internal Battery Charge | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)14 |
| USB POWER SUPPLY | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) |
| Power consumption with Viewfinder | Still images: Approx. 4.2 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28–70 mm F3.5–5.6 OSS lens attached) |
| Power consumption with LCD screen | Still images: Approx. 3.8 W (with FE 28–70 mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached) |
| WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED) | Approx. 679 g (Approx. 1 lb 8.0 oz) |
| BODY ONLY | Approx. 594 g (Approx. 1 lb 5.0 oz) |
| Dimensions (W x H x D) | Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor) (5.13 x 3.13 x 4.13 inches, Approx. 5.13 x 3.13 x 3.38 inches) (from grip to monitor) |
| OPERATING TEMPERATURE | 32–104 °F / 0–40 °C |
| STORAGE TEMPERATURE | -20 – 55°C (-4 – 131°F) |
WHAT’S IN THE BOX
ILME-FX2B
- Rechargeable Battery NP-FZ100
- Body cap
- Accessory shoe cap
- Eyepiece cup
ILME-FX2
- Rechargeable Battery NP-FZ100
- Body cap
- Accessory shoe cap
- Eyepiece cup
- XLR handle unit
- Handle shoe cap
FEATURES
| Cinematic expression with a full-frame sensor | The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by a BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need. |
| Outstanding image quality for maximum editing flexibility | The FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3, enabling even high-contrast scenes to be captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras. |
| Multiple recording formats for versatile shooting and editing | 7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35 mm mode. With 10bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured. |
| Log recording modes for production flexibility | For creative flexibility, there are three modes available for Log recording—Flexible ISO, Cine EI, and Cine EI Quick—with Cine EI widely used in professional filmmaking for footage shot with post-production in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing for specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look. |
| Import up to 16 user LUTs | With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies, providing a more accurate preview of the final graded image. In addition to three presets, up to 16 user LUT files can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for easy access during post-production. |
| Create moods right in the camera | Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs. |
| Desqueeze display for anamorphic lenses | Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony’s Monitor and Control app provides even more detailed settings for monitoring on a tablet or other external display device. |
| Frame rate freedom | An FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120fps. |
| An extensive range of expressive E-mount lenses | Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life. |
| Compact and lightweight with built-in accessory mount points | With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 6.35 mm screw holes in three locations for mounting accessories, making the overall system lighter and more compact, while reducing setup and takedown time. Two additional screw holes for secure tripod mounting are located on the bottom panel. |
| Attach a top handle for extra handling ease | Sony’s XLR Handle Unit XLR-H1 can be attached to the FX2 body to minimize shifts in the center of gravity when changing lenses. It can also significantly enhance handheld shooting flexibility, especially when performing tricky maneuvers like shooting from a low position while moving. The handle has three 6.35 mm screw holes for further accessory mounting. |
| AI-based Real-time Recognition AF | Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognized subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30. |
| Fine-tuned focus control | AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability. |
| Automatic framing using advanced AI | The FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject. |
| Stabilization for dynamic handheld shooting | Active Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage allowing for even greater stabilization control in post-production if needed. |
| Stills at the flip of a switch | A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT. |
| Visual consistency across stills and videos | The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post-production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look. |
| Tiltable high-definition electronic viewfinder | Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50 mm lens, infinity focus, -1 m diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary. |
| Control layout designed for professional use | The FX2 boasts the size and weight advantages of mirrorless cameras while delivering professional operability. Frequently used controls are concentrated around the grip and on the top panel, and long-stroke buttons on the top panel are easily operated even with your thumb. The zoom lever allows efficient power zoom and Clear Image Zoom control. |
| Flexible vari-angle LCD monitor | The high-definition 3.0 type vari-angle 1.03 million dot LCD monitor can be rotated through a wide range of angles and is clear of interference from an HDMI cable. Touch operation remains available when the monitor is open in a sideways position. |
| Frequently used parameters all in one place | The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This proven BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters. |
| Proxy recording | Low-bitrate HD proxy videos can be recorded simultaneously with any of the available recording formats, including XAVC S-I 4K. These files can then be used for editing and previewing to reduce computer load when working with 4K footage. Proxy files can be recorded in two formats: XAVC HS (1920 x 1080) at 10bit depth, or XAVC S (1280 x 720) at an even lighter 8bit depth. |
| Tally lamps and high visibility recording indication | The camera is equipped with tally lamps on both its front (top) and back, so you can easily keep track of whether you’re capturing the action. The illuminated REC button also functions as a tally lamp linked to the rear lamp, and a red frame on the LCD monitor acts as another indicator for recording, remaining visible even when the screen is partly obscured by a rig or gimbal. |
| CFexpress Type A memory card support | Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more. |
| Digital audio without degradation | With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24bit recording, and other settings can be easily applied. |
| 4:2:2 10bit or 16bit RAW output via HDMI | An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10bit or 16bit RAW video output to an external recorder for flexible post-production. 16bit RAW video is output at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates. |
| Time code synchronization | The FX2 can be synced to timecodes from a second camera that has a BNC output terminal. Connect its Multi/Micro USB terminal to the dedicated VMC-BNCM1 adaptor cable, and then to the second camera via a BNC cable. |
| Plenty of power for long shoots | A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal. |
| Flexible network communication | The FX2 supports Wi-Fi communication at 2.4 GHz and 5 GHz (802.11ac). Simply select the band that provides the most stable communication with the least interference. Wired transfer to an FTP server using the 1000BASE-T standard is also possible via a USB-Ethernet LAN adaptor connected to the camera’s SuperSpeed USB 10 Gbps compatible USB Type-C port. A USB connection can also be used for convenient remote shooting. |
| Easy live streaming | The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or either a wireless or wired LAN network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT. |
| Effective heat management | Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording. |
| Dust- and moisture-resistant design | Numerous refinements throughout the body design have enhanced dust and moisture resistance, ensuring maximum reliability in challenging outdoor conditions. The camera’s outer shell seams and the battery cover are well sealed, the cooling fan flow is carefully isolated, and the lens lock button has been redesigned, among other improvements. |
| Monitor and Control | Sony’s Monitor and Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew. |
| Catalyst Browse, Catalyst Prepare/Plugin | The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post-production. |
| Cloud Upload (camera direct) | Recorded files can be directly uploaded to Creators’ Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Google Drive™ or Adobe Lightroom to suit your workflow. |
| Creators’ Cloud platform | Creators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services. |
| Environmentally conscious | Sony’s environmental plan “Road to Zero” aims for a zero environmental footprint by 2050. The environmental footprint of this product has been minimized from development through the supply chain, production, and packaging. |
| Non-plastic packaging materials | Sony is working toward the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimising environmental stress. |
| Greater accessibility for all users | Accessibility features, such as a menu magnifier and a screen reader that reads menu text aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more, make the joys of photography and moviemaking available to the widest possible range of users. |
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