Description

Unrivaled

SONY ILCE-1M2

α1 II flagship for professionals

Unrivaled
SONY ILCE-1M2
α1 II flagship for professionals

Another leap at the top

The α1 II gives users everything they need to achieve a higher capture success rate and more, including 50 MP high resolution, AI-based subject recognition AF, high-speed continuous shooting, and an advanced workflow from capture to delivery that provides professionals with unrivaled efficiency and freedom.

Fast, smart and detailed

Stunning high resolution

Advanced movie functionality

Comfortable operation and high reliability

Fast delivery and broad expandability

Environmental consideration and accessibility

Fast, smart and detailed

A fusion of leading technologies delivers overwhelming performance

The massive volume of data from the approximately 50.1 effective megapixel full frame Exmor RS™ image sensor is processed in real time by Sony’s BIONZ XR™ image processing engine. An advanced AI processing unit applies high-level subject recognition to reliably recognize a wide range of subjects. These state-of-the-art technologies come together to make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF/AE tracking performance at up to 30fps.

Advanced AI processing unit for high-level subject recognition

The α1 II features a dedicated AI processing unit that helps to recognize people more accurately based on human pose estimation, and also supports recognition of a wide range of subjects other than people, such as animals, vehicles and insects, with high accuracy. This results in a dramatic improvement in Real-time Recognition AF and Real-time Tracking capability, and higher overall AF performance.

Human eye recognition improved by up to approximately 30%

Real-time Recognition AF has improved human eye recognition by approximately 30%, with human pose estimation improving recognition of subjects facing away from the camera, wearing sunglasses, or with the face obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, and subjects can be tracked better across occlusions.

A wide variety of subjects accurately recognized

A wider variety of subjects is now recognized for stills and movies, with a new [Auto] mode letting the camera select. Recognition of animals overall is improved by approximately 30%, with eyes of some small animals added, and the eyes, heads and faces of animals like dogs and cats recognized. Recognition of birds is improved by 50%.

AF tracking response settable to match subject speed changes

Fast Hybrid AF provides 759 phase-detection points for tenacious tracking and pinpoint focusing, now with adjustable tracking response speed, useful for example in bird photography, and in light levels down to EV-4.0 in AF-S mode.

Flexible focus area settings

XL and XS focus area spot sizes are now available as well as L, M, and S. XS can be useful to avoid focusing on foreground objects such as branches. It is also possible to create a custom focus area of specified size and aspect ratio.

Selectable release time lag

Selectable release time lag modes are available via the [Release Lag] / [Start Display] menu. With blackout occurring on only the first image in a continuous burst, [Fastest Release/On] provides the shortest possible release time lag, while [Stable Release/On] minimizes variations in release time lag making it easier to release the shutter at the intended moment. The default [Auto/Off] setting gives no blackout when shooting is started.

High-speed continuous shooting at full 50.1 MP resolution

High-speed continuous shooting at up to 30fps with full AF/AE tracking is possible at 50.1 MP resolution, with up to 120 AF/AE calculations per second. Blackout-free shooting with no loss of viewfinder image allows seamless framing and capture of the subject as if viewed with the naked eye.

More control over timing to capture decisive moments

Pre-capture retroactively captures moments that occurred before the shutter was released, without compromising resolution, even when shooting continuously at up to 30fps with selectable recording time options. Continuous Shooting Speed Boost can temporarily change the burst speed. Both features reduce the chance of missing that vital instant.

Stunning high resolution

Extraordinary detail with approximately 50.1 effective megapixels

Sony’s extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor’s high pixel count means that resolution is still a very impressive 21 megapixels when shooting in APS-C mode or cropping to APS-C size after shooting.

Selectable RAW image size and quality

Compressed RAW images can be continuously shot at up to 30fps. For easier handling, as well as L, Lossless Compressed RAW, JPEG and HEIF images are also available in M and S sizes with the same numbers of pixels whether shot in full-frame or APS-C mode, enabling seamless mode switching while maintaining resolution.

High sensitivity, low noise, and wide dynamic range

Feedback from professionals has been taken into account to create noise reduction that is highly effective without sacrificing image detail, so users can shoot clear images of indoor sports at mid-to-high sensitivity without hesitation. Dynamic range at lower sensitivities is a wide 15 stops for smooth, realistic gradations.

[1] α1, ISO 6400, 1/1600 s, F2.8
[2] α1 II, ISO 6400, 1/1600 s, F2.8

Consistently accurate exposure and colour

Exposure and color reproduction are notably improved compared to the α1, with exposure optimized for detected faces in stills and movies, and exposure stability improved by approximately 20% even when the face is backlit, over-illuminated in sunlight, or not facing the camera. White balance is accurate even for subjects in shade.

Optical five-axis image stabilization achieves 8.5-step performance at the center

A high-precision image stabilization unit, advanced gyro sensors, and optimized algorithms detect and correct camera shake, for a groundbreaking 8.5-step effect at the center and 7.0-step at the periphery, and capture of fine details even when shooting handheld. Synchronization with compatible lenses provides further blur control even at telephoto focal lengths.

[1] Yaw [2] Roll [3] Pitch

Composite RAW modes for lower noise and higher resolution

Two composite RAW shooting modes are available. The NR Shooting Settings mode captures between 4 and 32 RAW images that can be composited to create a full-resolution image with very low noise even at mid-to-high sensitivities. Pixel Shift Multi Shooting captures 4 or 16 pixel-shifted images that are composited to achieve overwhelmingly high resolution in a single image. In both cases the compositing operations are performed using Sony’s Imaging Edge Desktop™ PC application.

[1] Single RAW image, ISO 12800
[2] NR composite RAW (32 images), ISO 12800

Advanced movie functionality

Real-time Recognition AF for movies

Real-time Recognition AF utilizes advanced AI-based human pose estimation technology that recognizes and tracks not just eyes, but body and head position for human subjects with high precision. The range of subjects recognized with AI assistance, for both movies and stills, has been expanded relative to the α1, and now includes birds in movies, for example. Other subjects are acquired and tracked in real time by processing color, pattern, and spatial data.

High-resolution 8K/4K recording for impressive realism

4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35 mm oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.

High-frame-rate recording at up to 120p

4K can be recorded at up to 120p right in the camera. 4K footage can be played back in up to 5x slow motion. The Slow & Quick Motion (S&Q) mode makes it convenient to play recorded footage back at slow or high speed in the camera. Full HD footage recorded at 240fps offers even greater range: up to 10x slow motion (24p) to create impressive sports movies, for example. The frame rate setup menu allows intuitive selection of frame rates.

Better S-Log matching with Cinema Line cameras

The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-gray. Minimum ISO when shooting S-Log3 is 800, while the expanded ISO range is 200–640. Compared to the α1, detail reproduction has been improved and matching with S-Log3 output from Sony’s cinema cameras is easier. User LUTs can also be imported into the camera for preview.

Stable, high-level video shooting

In addition to standard mode, Active Mode combines a precision image stabilization unit and gyro sensor, while Dynamic active Mode adds electronic stabilization for an additional approximately 30% effect, enabling stable recording even when the user is jogging. Auto Framing tracks and crops AI-recognized subjects and automatically adjusts shot composition, while Framing Stabilizer automatically keeps the subject in the same location within the frame when the camera operator is moving alongside.

Breathing compensation

Focus breathing compensation reduces focus breathing when shooting movies. Sony’s Clear Image Zoom technology automatically maintains angle of view through focus changes. Breathing metadata can also be used with the latest Catalyst Browse/Catalyst Prepare/Catalyst Prepare Plugin software application during post production.

Features for smooth focusing

AF Assist for temporary switching to manual focus, focus peaking display, and AF transition speed and sensitivity settings all help the user when shooting movies. Focus Map overlays a visual depth-of-field map on the live view display. Real-time Recognition AF, Real-time Tracking, and Focus Area are now available during digital zoom and Clear Image Zoom operation.

Comfortable operation and high reliability

Flexible LCD monitor positioning

The 4-axis multi-angle monitor can be positioned for optimal viewing in horizontal or vertical orientation. The extended monitor can be tilted upward by approximately 98 ° and downward by approximately 40 ° to the camera back, and sideways by a full 180 °. The hinge is unobtrusive but robust. The large 3.2 type 2.1 million dot display panel is touch sensitive, has a wide color gamut, and is designed for clear outdoor viewing.

Advanced grip hold and ease of use

The improved grip ergonomics ensure comfortable and stable shooting over long sessions. A C5 custom button has also been added, and the grip design is replicated for prolonged vertical shooting with the optional VG-C5 Vertical Grip, which additionally offers extended battery life over the previous model.

Standard and deep viewfinder eyepiece cups provided

The α1 II is supplied with two viewfinder eyepiece cups: the standard FDA-EP19 and the deeper FDA-EP21 which enhances viewing clarity by effectively blocking extraneous light. The soft, close-fitting material and design enhance viewing comfort.

Supplied charger charges two NP-FZ100 batteries in 155 minutes

The supplied BC-ZD1 quick charger can simultaneously charge two NP-FZ100 batteries in approximately 155 minutes when used with an AC adapter providing USB PD (Power Delivery). This charger is ideal for charging two batteries for use at events or in other applications that require continuous operation over extended periods of time.

Fast registration of frequently used functions

The My Menu feature allows menu items to be added to a custom favorites menu with a simple long-press or by pressing the Delete button. New options have also been added to the Function (Fn) menu, including recording folder selection and new folder creation.

Fast delivery and broad expandability

Seamless search and playback with two memory cards

It is now possible to display the contents of two memory cards when both media slots are selected for playback, allowing seamless playback of all images without having to switch cards. Playback parameter filtering can significantly improve on-site workflow efficiency.

Improved group display

Images shot in continuous bursts or using the interval timer function can be defined as “groups,” with the first image displayed to identify the group for quick switching between groups, boosting workflow efficiency. [Image Jump Setting] displays just the lead images during playback, allowing quick, efficient location.

Automated marking makes finding images easy

If set in advance, a rating can automatically be applied to the first image in continuous burst or Pre-Capture groups, or a divider image inserted before the first image in groups, enabling quick scrolling through and location of groups using the custom dial during playback.

Dedicated microphone for clear voice memos

A dedicated voice memo microphone is built into the camera’s rear panel, making it easy to record clear voice memos even in noisy environments. Voice memos can be transferred to an FTP server along with the corresponding images.

IPTC metadata embedding and presets

IPTC (International Press Telecommunications Council) metadata can be added to still images. IPTC information can be written to IPTC metadata presets and loaded into the camera via a memory card. The α1 II can internally store up to 20 presets that can then be quickly selected when needed, for example at multi-sports events.

2.5GBASE-T support for efficient data transfer

Wired LAN connectivity allows stable, high-speed transfer of huge amounts of still and movie data at up to 2.5 Gbps to an FTP server. FTPS (File Transfer Protocol over SSL/TLS) is supported for secure transfer. Up to 10 sets of FTP transfer settings can be saved to and loaded from a memory card.

Transfer & Tagging

Transfer &; Tagging is a smartphone application that can speed up still-image workflows for professional sports and news photographers, allowing background FTP transfers via a smartphone as well as fast tag/caption attachment.

Remote Camera Tool

Remote Camera Tool is a software application that allows PC Remote (tethered) shooting via wired LAN, and can be used to change camera settings and shoot images. It is now possible to connect multiple cameras with autofocus and shutter operation synchronized to the main camera.

Creators’ Cloud platform

Creators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.

Creators’ App

Creators’ App is a smartphone application that lets Sony’s cameras connect to the cloud, enhancing functionality and convenience for shooting and sharing.

Environmental consideration and accessibility

Recycled materials in cameras and digital camera products

Sony’s Road to Zero environmental plan aims at achieving a zero environmental footprint by 2050 through creativity and advanced technology. Our recyclable, durable, high-quality SORPLAS™ material used in camera bodies and other components requires no non-recyclable resources and does not compromise performance or functionality, replacing approximately 426 tons of virgin plastic in our digital cameras and digital video cameras over approximately the past 12 years. Our facility in Thailand where this and other imaging products are manufactured runs on 100% renewable energy.

Recyclable non-plastic packaging materials

Sony is working toward the use of non-plastic packaging materials that provide ample protection against shock and impact. The α1 II is the first high-end α-series product to be shipped in a plastic-free package made of an “Original Blended Material” that can be recycled as paper. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.

Greater accessibility for all users

Accessibility features such as Screen Reader that reads menu screen text aloud, Enlarged Menu Display, and others make it easier for everyone to enjoy shooting and playback using the α1 II. Furthermore, advanced features like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.

Specifications:

CAMERA TYPE	Interchangeable lens digital camera
Lens Mount	E-mount
SENSOR TYPE	35-mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor
NUMBER OF PIXELS (Total)	Approx. 50.5 megapixels
NUMBER OF PIXELS (EFFECTIVE)	Still images: Approx. 50.1 megapixels max.1, Movies: Approx. 42.0 megapixels max.1
COLOR TEMPERATURE RANGE	2500 K–9900 K
Anti-Dust System	Yes
RECORDING FORMAT	JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
IMAGE SIZE (PIXELS) [3:2]	35-mm full frame L: 8640 x 5760 (50 M), M: 5616 x 3744 (21 M), S: 4320 x 2880 (12 M)
VIDEO COMPRESSION	XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
AUDIO RECORDING FORMAT	LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit)2, LPCM 4ch (48 kHz 24 bit)2
MOVIE RECORDING FORMAT (XAVC HS 8K)	7680 x 4320 (4:2:0, 10bit) (Approx.): 29.97p (400 Mbps/200 Mbps), 25p (400 Mbps/200 Mbps), 23.98p (400 Mbps/200 Mbps), 7680 x 4320 (4:2:2, 10bit) (Approx.): 29.94p (520 Mbps/260 Mbps), 25p (520 Mbps/260 Mbps), 23.98p (520 Mbps/260 Mbps)
MOVIE RECORDING FORMAT (XAVC HS 4K)	3840 x 2160 (4:2:0, 10 bit) (Approx.): 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps/75 Mbps/45 Mbps), 50p (150 Mbps/75 Mbps/45 Mbps), 23.98p (100 Mbps/50 Mbps/30 Mbps), 3840 x 2160 (4:2:2, 10bit) (approx.): 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps/100 Mbps), 50p (200 Mbps/100 Mbps), 23.98p (100 Mbps/50 Mbps)
MOVIE RECORDING FORMAT (XAVC S 4K)	3840 x 2160 (4:2:0, 8 bit) (Approx.): 119.88p (200 Mbps), 100p (200 Mbps), 59.94p (150 Mbps), 50p (150 Mbps), 29.97p (100 Mbps/60 Mbps), 25p (100 Mbps/60 Mbps), 23.98p (100 Mbps/60 Mbps), 3840 x 2160 (4:2:2, 10bit) (Approx.): 119.88p (280 Mbps), 100p (280 Mbps), 59.94p (200 Mbps), 50p (200 Mbps), 29.97p (140 Mbps), 25p (140 Mbps), 23.98p (100 Mbps)
MOVIE RECORDING FORMAT (XAVC S HD)	1920 x 1080 (4:2:0, 8 bit) (Approx.): 119.88p (100 Mbps/60 Mbps), 100p (100 Mbps/60 Mbps), 59.94p (50 Mbps/25 Mbps), 50p (50 Mbps/25 Mbps), 29.97p (50 Mbps/16 Mbps), 25p (50 Mbps/16 Mbps), 23.98p (50 Mbps), 1920 x 1080 (4:2:2, 10bit) (approx.): 59.94p (50 Mbps), 50p (50 Mbps), 29.97p (50 Mbps), 25p (50 Mbps), 23.98p (50 Mbps)
MOVIE RECORDING FORMAT (XAVC S-I 4K)	3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps), 50p (500 Mbps), 29.97p (300 Mbps), 25p (250 Mbps), 23.98p (240 Mbps)
MOVIE RECORDING FORMAT (XAVC S-I HD)	1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps), 50p (185 Mbps), 29.97p (111 Mbps), 25p (93 Mbps), 23.98p (89 Mbps)
SLOW AND QUICK MOTION (SHOOTING FRAME RATE)	Yes
PROXY RECORDING	Yes
TC/UB	Yes
RAW OUTPUT	Yes (HDMI)
Memory Card Slot	SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card
FOCUS TYPE	Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT	Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)
FOCUS SENSITIVITY RANGE	EV-4 to EV20 (ISO 100 equivalent with F2.0 lens attached in AF-S)
RECOGNITION TARGET (STILL IMAGES)	Auto, Human, Animal, Bird, Insect, Car, Train, Airplane
RECOGNITION TARGET (MOVIES)	Auto, Human, Animal, Bird, Insect, Car, Train, Airplane
Other Features	AF Level for Crossing (Still), AF Track for Speed Change (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
AF ILLUMINATOR	Yes (with built-in LED type)
METERING TYPE	1200-zone evaluative metering
METERING SENSITIVITY	EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
EXPOSURE COMPENSATION	+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
ISO SENSITIVITY	Still images: ISO 100–32000 (expandable to ISO 50–102400), AUTO (ISO 100–12800, selectable lower limit and upper limit), Movies: ISO 100–32000 equivalent, AUTO (ISO 100–12800, selectable lower limit and upper limit)
ANTI-FLICKER SHOOT.	Yes
TYPE	1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)
Number of Dots	9 437 184 dots
Magnification	Approx. 0.90x (with 50 mm lens at infinity, –1 m–1)
DIOPTRE	–4.0 to +3.0 m-1
Eye Point	Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at –1 m–1 (CIPA standard)
Finder Frame Rate Selection	NTSC mode: STD 60fps / HI 120fps / HIGHER 240fps, PAL mode: STD 50fps / HI 100fps / HIGHER 200fps3
Monitor Type	8.0 cm (3.2-type) type TFT
TOUCH PANEL	Yes
Number of Dots	2,095,104 dots
Adjustable Angle	Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 °
Other Features	Soft Skin Effect, Creative Look, Custom function, Picture Profile, Time-lapse, Auto Framing, Pre-Capture, Continuous Shooting Speed Boost, NR Shooting, Framing Stabilizer
CLEAR IMAGE ZOOM (STILL IMAGES)	Approx. 2x
CLEAR IMAGE ZOOM (MOVIES)	Approx. 1.5x (4K), Approx. 2x (HD)
Shutter Type	Auto / Mechanical shutter / Electronic shutter
Shutter Speed	Still images (Electronic shutter): 1/32000 to 30 s, Still images (Mechanical shutter): 1/8000 to 30 s, Bulb, Movies: 1/8000 to 1 s
Flash Sync. Speed	1/400 s (35-mm full frame), 1/500 s (APS-C)4
Electronic Front Curtain Shutter	Yes
Type	Image sensor-shift mechanism with five-axis compensation (compensation depends on lens specifications)
Compensation Effect	Center 8.5 stops and Periphery 7.0 stops (based on CIPA2024 standard. Pitch/Yaw/Roll compensation. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.)
MODE	Still images: On/Off, Movie: Dynamic active/Active/Standard/Off
TYPE	–
CONTROL	Pre-flash TTL
FLASH COMPENSATION	+/-3.0 EV (switchable between 1/3 and 1/2 EV steps)
EXTERNAL FLASH COMPATIBILITY	Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe
Continuous Drive Speed (approx. max.)	AUTO/Electronic shutter: Hi+: 30fps5, Mechanical shutter: Hi+: 10fps5
NO. OF FRAME RECORDABLE (APPROX.)	JPEG Extra fine L: 190 frames5, JPEG Fine L: 400 frames5, JPEG Extra fine L: 400 frames5, RAW: 240 frames5, RAW & JPEG: 200 frames5, RAW (Uncompressed): 84 frames5, RAW (Uncompressed) & JPEG: 80 frames5, RAW (Lossless Compressed): 100 frames5, RAW (Lossless Compressed) & JPEG: 86 frames5
Pixel Shift Multi Shooting	Yes (4 shots / 16 shots)6
MODES	Enlarged display mode, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
FUNCTIONS	Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Multi-angle LCD screen, Custom function, Enlarge Menu Screen
PC INTERFACE	Mass-storage / MTP
MULTI/MICRO USB TERMINAL	Yes7
USB TYPE-C TERMINAL	Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)
NFC	–
Sync Terminal	Yes
WIRELESS LAN (BUILT-IN)	Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))89
Bluetooth®	Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
HDMI OUTPUT	HDMI connector (Type-A), 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10 bit / RGB 8 bit, 7680 x 4320 (29.97p / 25p / 23.98p), YCbCr 4:2:0 8 bit / RGB 8 Bit, 4332×2446 (59.94p / 50p / 29.97p / 25p / 23.98p), Raw 16 bit
Multi Interface Shoe	Yes (with Digital Audio Interface)10
Mic Terminal	Yes (3.5 mm Stereo minijack)
Headphone Terminal	Yes (3.5 mm Stereo minijack)
REMOTE CONTROL (WIRELESS)	Yes (Bluetooth remote control)
LAN Terminal	Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)
FUNCTIONS	FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi), Send to smartphone, Remote control via smartphone, PC Remote
VIDEO DATA FORMAT	MJPEG, YUV42011
VIDEO RESOLUTION	3840 x 2160 (15p/30p), 3840 x 2160 (12.5p/25p), 1920 x 1080 (30p/60p), 1920 x 1080 (25p/50p), 1280 x 720 (30p), 1280 x 720 (25p)
AUDIO DATA FORMAT	LPCM 2ch (16 bit 48 kHz)
VIDEO DATA FORMAT	MPEG-4 AVC/H.264, MPEG-H HEVC/H.26512
VIDEO RESOLUTION	3840 x 2160 (30p), 3840 x 2160 (25p), 2560 x 1440 (30p), 2560 x 1440 (25p), 1920 x 1080 (30p/60p), 1920 x 1080 (25p/50p), 1280 x 720 (30p/60p), 1280 x 720 (25p/50p)
AUDIO DATA FORMAT	AAC-LC 2ch (16bit 48 kHz)
PROTOCOL	RTMP, RTMPS, SRT
Microphone	Built-in: stereo, Built-in: voice memo
Speaker	Built-in: monaural
SETTING	Shading, Chromatic Aberration, Distortion, Breathing (Movie)
SUPPLIED BATTERY	One rechargeable battery pack NP-FZ100
Battery Life (Still Images)	Approx. 420 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)13
Battery Life (Movie, actual recording)	Approx. 85 min (Viewfinder) / Approx. 90 min (LCD monitor) (CIPA standard)14
Battery Life (Movie, continuous recording)	Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard)
Internal Battery Charge	Yes (Available with USB Type-C Terminal. USB Power Delivery support)
USB POWER SUPPLY	Yes (Available with USB Type-C Terminal. USB Power Delivery support)
Power consumption with Viewfinder	Still images: Approx. 4.7 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: Approx. 7.0 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
Power consumption with LCD screen	Still images: Approx. 3.8 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)	Approx. 743 g (Approx. 1 lb 10.3 oz)
BODY ONLY	Approx. 658 g (Approx. 1 lb 7.3 oz)
Dimensions (W x H x D)	Approx. 136.1 x 96.9 x 82.9 mm, Approx. 136.1 x 96.9 x 72.8 mm (from grip to monitor) (Approx. 5.38 x 3.88 x 3.38 in, Approx. 5.38 x 3.88 x 2.88 in [from grip to monitor])
OPERATING TEMPERATURE	32–104 °F / 0–40 °C
WHAT’S IN THE BOX	Rechargeable Battery NP-FZ100, Battery Charger BC-ZD1, Cable Protector, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup (FDA-EP19), Eyepiece cup (FDA-EP21)

Features

A fusion of leading technologies delivers overwhelming performance	The massive volume of data from the 50.1 megapixel full-frame Exmor RS™ image sensor is processed in real time by Sony’s BIONZ XR™ image processing engine. An advanced AI processing unit applies high-level subject recognition to reliably recognize a wide range of subjects. These state-of-the-art technologies make it easy to capture even the most challenging subjects in extraordinary resolution, with blackout-free viewing and full AF/AE tracking at up to 30fps.
An advanced AI processing unit achieves high-level subject recognition	The α1 II features a dedicated AI processing unit that helps to recognize people more accurately based on human pose estimation, and also supports recognition of a wide range of subjects other than people, such as animals, vehicles and insects, with high accuracy. This results in a dramatic improvement in Real-time Recognition AF and Real-time Tracking capability, and higher overall AF performance.
Human eye recognition improved by up to approximately 30%	Real-time Recognition AF has improved human eye recognition by approximately 30%, and its human pose estimation technology also delivers precise recognition of subjects facing away from the camera, wearing sunglasses, or with the face obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, so approaching subjects are recognized and tracked sooner. Subjects can also be tracked better across occlusions among many people.
A wide variety of subjects accurately recognized	A wider variety of subjects is now recognized for stills and movies, with a new [Auto] mode letting the camera select. Recognition of animals overall is improved by approximately 30%, with eyes of some small animals added, and the eyes, heads and faces of animals like dogs and cats recognized. Recognition of birds is improved by 50%.
Reliable Real-time Tracking	The α1 II features AI-based Real-time Tracking. If the subject cannot be recognized for some reason, or subject recognition AF is not turned ON, Sony’s original subject recognition algorithm will process color, pattern, and spatial data to ensure that the subject is reliably acquired and tracked. If [Touch Tracking] is engaged, touching a subject on the monitor will instantly select it for tracking.
AF tracking response settable to match subject speed changes	Fast Hybrid AF combines phase detection and contrast detection for superb speed, precision and tracking performance. 759 phase-detection points cover 92% of the image sensor. The AF tracking response for stills can now be selected from [Stable], [Standard], and [Responsive] to suit the likely subject motion, useful for example in bird photography. High AF precision is achieved right down to light levels as low as EV-4.0 in AF-S mode, with improved contrast AF response.
Flexible focus area settings	XL and XS focus area spot sizes are now available in addition to the existing L, M, and S. XS can be useful to avoid focusing on foreground objects such as branches. It is also possible to create a custom focus area of specified size and aspect ratio, useful in situations like a track event where athletes are lined up side-by-side and you want to focus on the leading runner.
High-speed continuous shooting at full 50.1 MP resolution	High-speed continuous shooting at up to 30fps with full AF/AE tracking is possible at a stunning 50.1 MP resolution, with up to 120 AF/AE calculations per second on the data from the image sensor. Blackout-free shooting with no loss of viewfinder image allows seamless framing and capture of the subject as if viewed with the naked eye.
Pre-Capture and Continuous Shooting Speed Boost	Pre-capture retroactively captures moments that occurred before the shutter was released, without compromising resolution, even when shooting continuously at up to 30fps with selectable recording time options. Continuous Shooting Speed Boost can temporarily change the burst speed. Both features reduce the chance of missing that vital instant.
Enhanced high-resolution burst stamina	A large buffer memory and increased overall system speed allow continuous shooting at full resolution. Up to 159 JPEG images or 153 compressed RAW images can be captured in one continuous 30fps burst. Up to 400 JPEG images can be captured in one 20fps burst. This can be a huge confidence-booster when timing is critical for sports, wildlife, and other moving subjects.
Selectable release time lag	Selectable release time lag modes are available via the [Release Lag] / [Start Display] menu. With blackout occurring on only the first image in a continuous burst, [Fastest Release/On] provides the shortest possible release time lag, while [Stable Release/On] minimizes variations in release time lag making it easier to release the shutter at the intended moment. The default [Auto/Off] setting gives no blackout when shooting is started.
Stunning resolution with 50.1 megapixels	Sony’s extensive high-performance G Master line work with the 50.1 megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor’s high pixel count means that resolution is still a very impressive 21 megapixels when shooting in APS-C mode or cropping to APS-C size after shooting.
Selectable RAW image size and quality	Compressed, Uncompressed, and high-compression Lossless Compressed RAW still images are provided. Compressed RAW images can be shot continuously at up to 30fps. Three Lossless Compressed RAW image sizes can be selected to suit the application: L, M, and S. Lossless Compressed RAW, JPEG, and HEIF images in M and S size have the same number of pixels whether shot in the full-frame or APS-C mode, making it possible to seamlessly switch modes while maintaining the same image resolution. JPEG and RAW sizes can be freely mixed and matched to meet the needs of the application.
High sensitivity, low noise, and wide dynamic range	Feedback from professionals has been taken into account to create noise reduction that is highly effective without sacrificing image detail, so users can shoot clear images of indoor sports at mid-to-high sensitivity without hesitation. Dynamic range at lower sensitivities is an impressively wide 15 stops for smooth, realistic gradations. [1] α1, ISO 6400, 1/1600s, F2.8 [2] α1 II, ISO 6400, 1/1600s, F2.8
Consistently accurate exposure and colour	Exposure and color reproduction are notably improved compared to the α1. The AE algorithm detects faces and optimizes exposure for stills and movies. Exposure stability has been improved by approximately 20%, even when the face is backlit and dark, or over-illuminated in direct sunlight, or not facing the camera. Working with a “Visible Light and IR Sensor” on the front of the body, the advanced AI processing unit helps to achieve accurate white balance even where the subject is in shade.
Optical five-axis image stabilization achieves 8.5-step performance at the center	A high-precision image stabilization unit, advanced gyro sensors, and leading-edge algorithms detect and correct camera shake, achieving a groundbreaking up to 8.5-step effect at the center and 7.0-step at the periphery, and transforming handheld shooting with precision down to the single-pixel level and the finest subject details. With compatible lenses that include built-in stabilization, improved body-lens synchronization provides effective blur control even at otherwise problematic telephoto focal lengths. [1] Yaw [2] Roll [3] Pitch
Composite RAW modes for lower noise and higher resolution	The NR Shooting Settings mode captures between 4 and 32 RAW images which can then be composited using Sony’s Imaging Edge Desktop™ application to create a full-resolution image with very low noise even at mid-to-high sensitivities. Pixel Shift Multi Shooting captures four or 16 pixel-shifted images that are later composited with the same PC application to achieve overwhelming resolution in a single image. [1] Single RAW image, ISO 12800 [2] NR composite RAW (32 images), ISO 12800
Real-time Recognition AF for movies	Real-time Recognition AF utilizes advanced AI-based human pose estimation technology that recognizes and tracks not just eyes, but body and head position for human subjects with high precision. The range of subjects recognized with AI assistance, for both movies and stills, has been expanded relative to the α1, and now includes birds in movies for example. Other subjects are acquired and tracked in real time by processing color, pattern, and spatial data.
High-resolution 8K/4K recording for impressive realism	4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35-mm size oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.
High-frame-rate recording at up to 120p	4K can be recorded at up to 120p right in the camera. 4K footage can be played back in up to 5x slow motion. The Slow & Quick Motion (S&Q) mode makes it convenient to play recorded footage back at slow or high speed in the camera. Full HD footage recorded at 240fps offers even greater range: up to 10x slow motion (24p) to create impressive sports movies, for example. The frame rate setup menu allows intuitive selection of frame rates.
Better S-Log matching with Cinema Line cameras	The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-gray (18% gray). Minimum ISO when shooting S-Log is 800, while the expanded ISO range is 200–640. Compared to the α1, detail reproduction has been improved and footage can be more easily matched with the output from digital cinema cameras that also offer S-Log3 such as Sony’s VENICE and BURANO. The ability to import User LUTs into the camera makes it easy to get an idea of the final post-edit look right in the camera.
Dynamic active Mode stabilization	In addition to standard mode, Active Mode combines a precision image stabilization unit and gyro sensor, while Dynamic active Mode adds electronic stabilization for an additional approximately 30% effect, enabling stable recording even when the user is jogging.
Breathing compensation	Focus breathing compensation effectively reduces focus breathing when shooting movies. Sony’s original Clear Image Zoom technology is used to automatically maintain a consistent angle of view throughout focus changes for more stable images. Breathing metadata can also be used with the advanced breathing compensation capabilities of the latest Catalyst Browse/Catalyst Prepare/Catalyst Prepare Plugin software application during post production.
Features for smooth focusing	A range of focusing tools support intuitive and professional movie making. AF Assist for temporary switching to manual focus, focus peaking display, and AF transition speed and sensitivity settings all help the user when shooting movies. Focus Map overlays a visual depth-of-field map on the live view display. Real-time Recognition AF, Real-time Tracking, and Focus Area are now available during digital zoom and Clear Image Zoom operation.
Auto Framing automatically adjusts composition for the subject	Using AI-based subject recognition technology, Auto Framing automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator. The timing at which Auto Framing begins, the size of the subject in the frame, and the tracking speed can be controlled. Auto Framing can be ideal for recording interviews, music performance, cooking, and much more.
Framing Stabilizer automatically maintains subject position	Framing Stabilizer automatically maintains subject location within the frame when the camera operator is moving alongside the subject or in other situations where maintaining consistent framing can be difficult. AI-based subject recognition and Dynamic active image stabilization maintain the composition and achieve stable imagery even when shooting handheld. [Center] mode automatically keeps the subject in the center of the frame, while [Manual] mode lets subject position be freely specified.
Flexible LCD monitor positioning	The 4-axis multi-angle monitor can be positioned for optimal viewing in horizontal or vertical orientation. The extended monitor can be tilted upward by approximately 98 ° and downward by approximately 40 ° to the camera back, and sideways by a full 180 °. The hinge is unobtrusive but robust. The large 3.2 type 2.1 million dot display panel is touch sensitive, has a wide color gamut, and is designed for clear outdoor viewing.
High-performance electronic viewfinder	A 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers clear viewing. Magnification is 0.90x with a 41 ° FOV for a clear, wide view, the updated structure giving a 25 mm high eyepoint. Time lag has been reduced for more stable framing. The finder frame rate for shooting stills can be set to [Standard] (60fps), [High] (120fps), or [Higher] (240fps). Overall image quality has been significantly improved and aberration minimized.
Standard and deep viewfinder eyecups provided	The α1 II is supplied with two viewfinder eyecups: the standard FDA-EP19 type and a deep FDA-EP21 type that the user can choose according to ambient conditions or personal preference. The new FPA-EP21 design is deeper than the standard FDA-EP19 type, enhancing viewing clarity by effectively blocking extraneous light that can enter between the eye and eyecup in bright shooting environments. The soft, close-fitting material and design enhance viewing comfort.
Advanced grip hold and ease of use	The improved grip ergonomics ensure comfortable and stable shooting over long sessions with a shape that allows firm holding in the palm of the hand. A C5 custom button has also been added, and the grip design is replicated for prolonged vertical shooting with the optional VG-C5 Vertical Grip, which additionally offers extended battery life over the previous model.
Supplied charger charges two NP-FZ100 batteries in 155 minutes	The supplied BC-ZD1 quick charger can simultaneously charge two NP-FZ100 batteries in approximately 155 minutes. when used with an AC adapter providing USB PD (Power Delivery) power. This charger is ideal for charging two batteries for use at events or in other applications that require continuous operation over extended periods of time.
Dual slots support CFexpress Type A memory cards	The α1 II has two media slots that both support CFexpress Type A memory cards as well as UHS-I and UHS-II SD cards. CFexpress Type A cards are ideal for recording the huge volume of data produced by the image sensor, allowing 30fps continuous still shooting and high-bitrate 8K and 4K movie recording. The same data can be simultaneously recorded to both cards, or files can be separated by type and size. A “relay” mode automatically switches recording to the second card when the first becomes full.
Image playback functions that support immediate-delivery workflows	Multiple media playback lets you seamlessly display all images on two memory cards by selecting all slots as the display target during playback. Group display of images such as those shot continuously or with interval shooting is also supported. And if set in advance, a rating can automatically be applied to the first image in continuous burst or Pre-Capture groups, or a divider image inserted before the first image in groups, enabling quick scrolling through and location of groups using the custom dial during playback.
Dedicated microphone for clear voice memos	A dedicated voice memo microphone is built into the rear panel, making it easy to record clear voice memos even in noisy environments. These can be transferred to an FTP server along with the corresponding images, allowing the photographer to communicate effectively to the editor, or the Transfer & Tagging mobile application can be used to convert the voice memos to text prior to transfer. Either approach can significantly speed up the delivery workflow.
IPTC metadata embedding and presets	IPTC (International Press Telecommunications Council) metadata can be added to still images. IPTC information can be written to IPTC metadata presets and loaded into the camera via a memory card. The α1 II can internally store up to 20 presets that can then be quickly selected when needed. This can be extremely useful at multi-sports events, for example, where different IPTC information is required for different competitions. The appropriate preset can be easily selected in-camera.
Efficient data transfer by high-speed wired LAN and wireless LAN	Still image and movie files can be directly transferred from the camera to a specified remote FTP server via wired and wireless LAN. 2.5GBASE-T wired LAN connectivity allowing data transfer at up to 2.5 Gbps is now provided for stable, high-speed transfer of still and movie data from the camera to an FTP server and stable communication for PC Remote shooting. Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) with 2×2 MIMO support allows high-speed 5 GHz wireless communication with maximum speed and stability for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments.
USB Type-C ® connector supports SuperSpeed USB 10 Gbps (USB 3.2)	A USB Type-C ® connector that supports fast SuperSpeed USB 10 Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files.
Tools that support professional workflow	The α1 II is compatible with Transfer & Tagging and Remote Camera Tools. Transfer & Tagging is a smartphone application that can speed up still-image workflows for professional sports and news photographers, allowing background FTP transfers to smartphone as well as fast tag/caption attachment, while Remote Camera Tool is a software application that allows PC Remote (tethered) shooting via wired LAN.
Creators’ Cloud platform	Creators’ Cloud is a platform that supports creative work from shooting to production by combining Sony’s advanced camera technology and the cloud. It’s also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services.
Sony’s goal: zero environmental footprint	Sony’s environmental plan ‘Road to Zero’ is designed to reduce the Group’s environmental footprint to zero by 2050. Avoiding non-renewable resources, we actively use recycled plastics in cameras, including our durable, high-quality SORPLAS™ material. Sony is also moving away from plastic packaging. The α1 II is the first high-end α-series product to be shipped in a plastic-free package made of Sony’s “Original Blended Material” that can be recycled as paper.
Greater accessibility for all users	Accessibility features such as Screen Reader that reads menu screen text aloud, Enlarged Menu Display, and others make it easier for everyone to enjoy shooting and playback using the α1 II. Furthermore, advanced features like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.