Description
α7 IV full-frame hybrid camera
ILCE-7M4/ILCE-7M4M
Standards redefined.
For a new generation of creators.
With groundbreaking performance in both still and movie recording, the α7 IV is the ideal hybrid, providing breathtaking imagery along with on-the-spot delivery and distribution. The α7 IV is a camera designed to bring to life the artistic visions of today’s creators.
Basic has never been this good
Prepare to be inspired. The α7 IV’s true-to-life resolution and remarkable AI-powered autofocus complement a range of world-class features at the cutting edge of imaging technology.
A brand-new imaging experience
A brand-new imaging experience
Flagship-quality still and movie imaging
Flagship-quality still and movie imaging
Share the moment as it happens
Share the moment as it happens
Newly developed 33‑MP full-frame back-illuminated CMOS image sensor
Delivering outstanding performance and excellent image quality in both stills and movies, the α7 IV’s new 33.0 megapixel Exmor R™ CMOS image sensor provides high-speed readout, high sensitivity, low noise, and highly accurate color reproduction.
Flagship-level image processing with BIONZ XR™
The α7 IV uses the latest image processor to offer greatly enhanced performance, with improved image quality and color reproduction. Fast processing speeds facilitate comfortable continuous shooting as well as responsive operation while performing data transfers.
Still photography without compromise
Still photography without compromise
Higher resolution, better color reproduction
The new 33MP image sensor and processing engine raise the bar for image quality
In addition to boasting a larger pixel count and higher resolution than the α7 III, the α7 IV and its powerful Exmor R sensor represent a significant evolution of Sony’s original image technology, for improvements that go beyond mere numbers. Experience new levels of color gradation and detail rendering, as well as soft, natural-looking human skin textures.
Higher resolution, better color reproduction
The new 33MP image sensor and processing engine raise the bar for image quality
In addition to boasting a larger pixel count and higher resolution than the α7 III, the α7 IV and its powerful Exmor R sensor represent a significant evolution of Sony’s original image technology, for improvements that go beyond mere numbers. Experience new levels of color gradation and detail rendering, as well as soft, natural-looking human skin textures.
Beautiful images with reduced noise
Building on the capabilities of the back-illuminated image sensor the BIONZ XR engine reveals even higher subjective resolution combined with exquisite detail and texture, even in medium and high sensitivity ranges. Impressively low levels of noise are achieved throughout the standard range of ISO 100-51200 (expandable to ISO 50-204800 for stills and ISO 100-102400 for movies).
Beautiful images with reduced noise
Building on the capabilities of the back-illuminated image sensor the BIONZ XR engine reveals even higher subjective resolution combined with exquisite detail and texture, even in medium and high sensitivity ranges. Impressively low levels of noise are achieved throughout the standard range of ISO 100-51200 (expandable to ISO 50-204800 for stills and ISO 100-102400 for movies).
Wide, 15-stop dynamic range
Taking advantage of the camera’s full dynamic range of 15 stops, the α7 IV uses image data from the sensor’s 33.0 megapixels to render remarkably delicate detail in landscapes and scenery. This stunning image quality is based on Sony’s unrivalled experience at the front lines of both still-image and movie creation.
Wide, 15-stop dynamic range
Taking advantage of the camera’s full dynamic range of 15 stops, the α7 IV uses image data from the sensor’s 33.0 megapixels to render remarkably delicate detail in landscapes and scenery. This stunning image quality is based on Sony’s unrivalled experience at the front lines of both still-image and movie creation.
Quickly set the visual mood with ten Creative Look presets
A selection of ten Creative Look presets and eight parameters can quickly craft a mood for your still images, movies, and live streams. And since no post-editing is needed, you can share your vision immediately after shooting.
10-bit HEIF still-image format for smooth gradations
Along with conventional RAW and JPEG, you can choose the HEIF (High Efficiency Image File) format for still-image capture. Smooth 10-bit color depth provides realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential.
5-axis optical image stabilization
Up to 5.5-step shutter-speed compensation from the in-body stabilisation unit
The α7 IV’s high-precision stabilization unit and gyro sensors work together with image-stabilization algorithms to achieve up to 5.5 steps of shutter-speed compensation, to maximize the high-resolution performance of the camera’s 33.0‑MP image sensor.
Sony’s flash units coordinate with the camera’s face-detection system
Sony’s latest flash units communicate fully with the α7 IV, leveraging its powerful face detection capabilities to adjust exposure to produce natural-looking skin tones. Precise white balance synchronisation and P-TTL metering, at up to the ‘Hi’ level of continuous-burst speeds, reliably expose even fast-moving subjects with quick lighting changes, for unmatched dependability and creative possibilities.
External control of flash units
For greater convenience during shoots, compatible flash and radio wireless commander units connected to the α7 IV can now be controlled directly from the camera interface.
Reliable autofocus, impressive speed
Reliable autofocus, impressive speed
Fast Hybrid AF, evolved
The Fast Hybrid AF system, combining phase-detection AF and contrast-detection AF, has evolved even further to achieve greater speed, accuracy, and tracking performance. With Sony’s 4D FOCUS, a wide, dense AF area covers roughly 94% of the image area for both stills and movies with 759 phase-detection AF points.
10-frames-per-second continuous shooting with fast buffer release
Both the mechanical and electronic shutters allow you to shoot more than 800 frames & at up to 10 fps with AF/AE tracking, thanks to the α7 IV’s high-capacity buffer memory, speedy BIONZ XR processor, and improved memory card writing speed.
Sony’s smart AI-based Real-time Tracking and Real-time Eye AF
Sony’s unique subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to rapidly process spatial information in real time. AI is used to detect and track the eyes and face of the subject (human, animal, or bird) with extremely high precision. Just select the subject to track, then leave it to the camera.
Improved Real-time Eye AF
Keeping the targeted eye in focus so you can concentrate on composition
The high speed of the latest image-processing engine provides a significant boost to Real-time Eye AF performance, even when the subject is looking up, down, or sideways. It is also possible to use Touch Tracking to initiate Real-time Tracking of any subject in the frame, simultaneously initiating Real-time Eye AF if an eye is detected, simply by touching the screen.
Pet photos made easy
Fast, accurate focus for difficult animal shots
By setting the camera’s subject detection type to “Animal” in advance, you can automatically detect and track an animal’s eyes, for greater success in both wildlife shots and photos and movies of your pets at home. Animal-eye detection has been improved, with reliable tracking and accurate focus even when the animal’s face is upside down.
Real-time Eye AF for birds
Bird-eye detection supported for both still shots and movies
For the first time in the α series, bird-eye detection is available in movies as well as still shots – simply preset the subject to “bird”. The camera’s astonishing speed and precision allow automatic tracking of a specific bird, whether it’s perched somewhere or in flight, keeping the eye in steady focus despite any fast and unpredictable movements.
Movie imagery, moving ever forward
Movie imagery, moving ever forward
4K 60p movies with smooth, natural-looking capture
It is now possible to record movies at up to 4K 60p with full pixel readout and without binning, taking advantage of the α7 IV’s brand-new image sensor and wide dynamic range for smooth images of fast-moving subjects.
7K oversampling for beautifully expressive, richly detailed images
When recording 4K movies at up to 30p, full-frame 7K oversampling is possible, resulting in high-resolution, highly detailed 4K. Select the mode that best suits your purpose, and let the camera deliver.
Next-level image quality with 10-bit 4:2:2 recording
Make in-camera recordings with the amazing richness of 10-bit depth and 4:2:2 color sampling, with either Long GOP or All-Intra frame encoding, for far greater flexibility in image grading, post-processing, and compositing.
All-Intra encoding supported in addition to Long GOP
All-Intra recording encodes every frame independently, at bitrates of up to 600Mbps, capturing complex motion more accurately and allowing more efficient editing workflows.
[1] All-Intra (All-I) [2] Long GOP [3] Group of Pictures
Superior quality and smaller file sizes with XAVC HS
The XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller, space-saving file sizes.
Choose your look, for more expressive movies
Support for S-Cinetone™, Creative Look and S-Log3
The S-Cinetone color matrix, based on technology acquired through development of CineAlta cameras such as the VENICE, produces an impressive look with beautiful skin tones without post-editing. The Creative Look presets create other interesting visual moods in-camera, or you can use S-Log3 gamma to access the camera’s full dynamic range (15+ stops) for smoother post-production workflows.
New Breathing Compensation
The α7 IV leverages our parallel lens and camera development to provide innovative Focus Breathing Compensation, exclusively for Sony’s E-mount lenses. By minimizing the field-of-view shift that can occur, during movie shooting, when you rack focus with some lenses, you can achieve impressive results—for new creative possibilities from a diverse range of Sony’s E-mount lenses.
Focus Map to visualize depth of field
Answering a request from professional creators, the brand-new Focus Map feature lets you easily visualize depth of field when you’re shooting. In use, focus (depth map) information is overlaid on a display of the live view in real time, so you can easily see which areas are in or out of focus.
AF Assist supports focus transitions when using AF
Inherited from the Cinema Line FX6, the AF Assist function smoothly switches between auto and manual focus. Rack focusing is possible by rotating the focus ring to switch into MF and shift focus to a different subject, with AF resumed when ring rotation stops.
Focus fine-tuning for true creative freedom
Fine-tuned focus features, also used in higher-end models like the α1 and the α7S III, enable creative movie options like rack focus, quick switches of AF target, and highly customizable subject tracking sensitivity.
High-performance ‘Active Mode’ image stabilization
Reliable support for handheld movie shooting
Active Mode stabilisation for movie shooting is built on the camera’s highly accurate stabilisation unit, gyro sensors and sophisticated algorithms. It precisely detects the required amount of compensation and applies stabilisation, providing stable 4K movie shooting without compromising the α7 IV’s compact size and mobility.
Advantages of Sony’s lenses for video shooting
Learn the four unique advantages of using Sony’s E-mount lens for video shooting. The combination of Sony’s lenses and cameras will enhance your video creation experience.
Beautiful imagery with better image stabilization
Because the α7 IV records gyro and lens data as metadata, you can use Catalyst Browse/Prepare software to further smooth camera shake and make adjustments to image stabilization, even after shooting.
Digital audio interface for excellent sound quality
The Multi Interface (MI) Shoe enables cable-less connection, directly transferring the digital audio signal for high-quality sound without degradation, while also supplying power and eliminating concerns about mic batteries.
Integrated microphone wind noise reduction
Using newly developed signal-processing technology, when wind-noise reduction is set to “Auto” and wind noise is detected, the noise will be greatly reduced without affecting other sounds.
A new era of image communication
A new era of image communication
Instantly turn your α7 IV into a web camera
All it takes is a USB connection to turn the full-frame α7 IV into a high-performance webcam. There’s no need for complicated advance setup, just connect the camera to a computer or smartphone via USB, select “Live Stream (USB Streaming),” and you’re set.
4K / Full HD Live
The α7 IV supports UVC (USB Video Class) / UAC (USB Audio Class) standards that are usually included in USB cameras, so there’s no need to prepare dedicated software in advance. Just connect via USB and get ready to go live at up to 4K resolution.
Quick and easy setup for live streaming
The α7 IV makes live streaming easy. When you connect to a computer via USB, the USB function selection menu will pop up on the camera display. Simply select “Live Stream (USB Streaming)” and you’ll switch to that mode immediately, without needing any advance setup.
Changeable lenses expand your expressive options during live streaming
With more than 60 Sony original E-mount lenses, from wide to telephoto focal lengths, plus premium and specialist creative lenses, there are near-limitless expressive choices for your streaming or sharing.
Soft Skin Effect
The α7 IV’s built-in Soft Skin Effect makes skin look bright and beautiful, softening wrinkles, blemishes and dull-looking areas while adding emphasis to the eyes and mouth. This feature is available for still shots, movies and live streaming.
Share your still images and movies immediately
The α7 IV is designed to make sharing easy, so you can share your fresh images, and your vision, with the world immediately.
5‑GHz Wi-Fi
Wireless LAN functionality is available, with a 5‑GHz band in addition to the conventional 2.4‑GHz band (IEEE 802.11a/b/g/n/ac standards are supported). The benefits of 5‑GHz communication include faster data transfer.
Background FTP file transfer
This feature lets you transfer still-image and movie files to a specified remote FTP server via wireless LAN, high-speed wired LAN (via a compatible USB-Ethernet adapter cable to the camera’s USB Type C® port), or a USB-tethered smartphone.
Improvements in selection and editing workflow
The α7 IV incorporates a number of individual improvements to image selection and editing, adding up to smoother overall workflow that allows large amounts of data to be efficiently managed.
Create Divider Frames for faster access and selection
Still-image Divider Frames can be inserted between images in order to quickly locate desired scenes; a black background with a gray arrow indicates a new scene or section.
Adding movie markers (essence marks)
Two types of shot marks, used as “essence marks” or flags, can be easily added to recorded movie footage to mark favorite takes or scenes, and the main dial can be used to quickly navigate from one mark to the next during playback.
Numerous choices in selecting files to be transferred
Files can be selected to be transferred according to criteria such as rating, shot marks, protection status, or file format. Single files can be transferred manually with a custom button.
Easy, reliable operation
Easy, reliable operation
Dedicated Still/Movie/S&Q dial
Switch the Still/Movie/S&Q dial and the camera will instantly change menus, button assignments and settings like aperture and shutter speed to correspond to your chosen mode, making it easy to take advantage of the hybrid nature of the camera.
Improved menu structure
Responding to feedback from professional photographers and videographers, we have adopted a menu structure similar to that used in the α7S III and α1 in order to allow better visibility with a single glance.
High-resolution 3.68‑million-dot Quad-VGA OLED viewfinder
The camera’s Quad-VGA OLED viewfinder has roughly 1.6x the resolution of the α7 III viewfinder, with a 37.3 ° FOV and a 23‑mm high eyepoint.
Side-opening vari-angle rear monitor for flexible shooting
Broad positioning and framing freedom for both still and movie shoots is provided by the 3.0-type 1.03-million-dot LCD touch-panel monitor, with convenient side opening and 3:2 aspect ratio.
Intuitive touch operations
Touch operation is now possible for AF operations such as Touch Tracking during shooting. Along with pinch-to-zoom during playback, this translates into more intuitive operation.
Customizable “Rear dial R” for convenient access to features
The α7 IV incorporates a freely customizable rear dial in place of the previous exposure compensation dial, giving you quick access to features such as ISO control, Creative Look, or other settings.
Improved grip
The α7 IV’s grip has been substantially redesigned to make it easier and more comfortable to hold securely during long shoots.
Efficient heat dissipation by design
Sony’s unique Sigma (Σ) shaped graphite heatsink is built into the image stabilisation unit to efficiently shift heat off the sensor, without adding bulk or reducing stabilisation performance.
Durable magnesium-alloy chassis
Magnesium alloy is used for the camera’s highly durable body, and the mount is firmly attached with six screws to support heavy lenses.
Better dust and moisture resistance*
While maintaining its compact dimensions, the design of the α7 IV has be refined for further dust and moisture resistance.
* Not guaranteed to be 100% dust and moisture proof.
USB PD (Power Delivery)
USB PD (Power Delivery) is supported for fast in-camera battery charging* and more efficient power supply**, plus compatibility with external USB batteries and AC adaptors to extend recording times without battery drain.
* USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adaptor used and camera operating conditions.
** Compared to conventional USB power supply used in previous models.
Dual slots, CFexpress Type A support
The α7 IV’s dual media slots support UHS-I and UHS-II SDXC/SDHC cards (both slots) and CFexpress Type A cards (one slot)* **], for high-speed high-volume data recording.
* CFexpress Type A cards are supported in one slot; UHS-I and UHS-II SDXC/SDHC cards in both slots.
** CFexpress Type B memory cards are not supported.
Consideration for the environment
Consideration for the environment
Aiming to achieve a zero environmental footprint
Inspired by the beauty of the world, Sony is doing its part to help preserve the Earth, while still allowing creators to produce even more beautiful and creative imagery. With a goal of achieving a zero environmental footprint across the entire Sony Group by the year 2040, we are accelerating numerous initiatives for the environment.
Applying our plan to the α7 IV
The α7 IV is no exception as we work to help preserve the environment
As with other new Sony products, the entire environmental lifecycle of the α7 IV has been considered, through development, production, packaging and logistics. High-performance recycled—and recyclable—plastic is used for various camera body components, alongside more recyclable packaging. Our production sites also leverage renewable, large-scale solar generation to reduce production energy impacts.
Creators’ App
Creators’ App is a smartphone application for file transfer, remote shooting, cloud storage management, and more.
Monitor and Control
Monitor and Control is a mobile app for visual content creators that enables wireless monitoring and high-precision exposure adjustment and focus control on the larger screen of a smartphone or tablet, or a Mac.
Catalyst Browse / Prepare
Catalyst Browse / Prepare are desktop applications for fast and precise correction and editing, utilizing camera logs and metadata. Catalyst Prepare Plugin is a plugin tool that allows you to use the powerful features of Catalyst Prepare with your editing software.
Camera Authenticity Solution (Paid service)
As the spread of generative AI raises concerns about the negative impact of the dissemination of fake images, Sony offers Camera Authenticity Solution, a system that enables high-level verification of the authenticity of image content. Using unique meta-information obtained through cameras from Sony, it is possible to verify that an image was captured on a given camera; to verify with high accuracy that the image shows a real subject; and to ensure the transparency of the editing history in accordance with the C2PA format.
Sony’s Custom Grid Line (Paid license)
Sony’s Custom Grid Line allows users to display their own grid lines on either the electronic viewfinder (EVF) or the LCD screen. This capability enhances the user experience by providing personalized compositional guidance. Users have the flexibility to register up to four different grid lines, tailoring the camera’s display to suit their individual needs or specific photographic scenarios.
ILCE-7M4M FULL SPECIFICATIONS
| Lens Mount | E-mount |
| Sensor Type | 35 mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor |
| Aspect Ratio | 3:2 |
| Anti-Dust System | Yes (charge protection coating on optical filter and image sensor shift mechanism) |
| Number of Pixels (total) | Approx. 34.1 megapixels |
| Number Of Pixels (Effective) | Approx. 33.0 megapixels |
| SOFT SKIN EFFECT | Yes |
| CREATIVE LOOK | ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6) |
| 14bit RAW | Yes |
| Color Space | sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut). |
| Dynamic Range Functions | Off, Dynamic Range Optimizer |
| Creative Style | – |
| Picture Profile | Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Picture Effect | – |
| Recording Format | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
| Image Quality Modes | RAW (Compressed/Lossless Compressed (L/M/S)/Uncompressed), JPEG (Extra fine/Fine/Standard/Light), HEIF (4:2:0/4:2:2) (Extra fine/Fine/Standard/Light), RAW & JPEG, RAW & HEIF |
| Creative Style | – |
| SOFT SKIN EFFECT | Yes |
| Recording Format | XAVC S, XAVC HS |
| Movie Functions | Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 [Approx. 6 Mbps], 1920 x 1080 [Approx. 9 Mbps], 1920 x 1080 [Approx. 16 Mbps]), TC/UB, Auto Slow Shutter, Gamma Disp. Assist |
| Picture Effect | – |
| MOVIE RECORDING SYSTEM (XAVC S-I HD) | 1920 x 1080 (4:2:2, 10 bit, NTSC) (Approx.): 60p (222 Mbps) |
| CREATIVE LOOK | ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6) |
| MOVIE RECORDING SYSTEM (XAVC S-I 4K) | 3840 x 2160 (4:2:2, 10 bit, NTSC) (Approx.): 60p (600 Mbps) |
| MOVIE RECORDING SYSTEM (XAVC S 4K) | 3840 x 2160 (4:2:0, 8 bit, NTSC) (Approx.): 60p (150 Mbps) |
| Picture Profile | Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| MOVIE RECORDING SYSTEM (XAVC HS 4K) | 3840 x 2160 (4:2:0, 10 bit, NTSC) (Approx.): 60p (150 Mbps / 75 Mbps / 45 Mbps) |
| Color Space | Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut) |
| Slow and quick motion (shooting frame rate) | NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps |
| MOVIE RECORDING SYSTEM (XAVC S HD) | 1920 x 1080 (4:2:0, 8 bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps) |
| VIDEO COMPRESSION | XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265 |
| AUDIO RECORDING FORMAT | LPCM 2 ch (48 kHz 16 bit), LPCM 2 ch (48 kHz 24 bit) |
| SIMULTANEOUS INTERNAL RECORDING | Yes |
| AUDIO DATA FORMAT | LPCM 2 ch (16 bit 48 kHz) |
| VIDEO DATA FORMAT | MJPEG, YUV420 |
| VIDEO RESOLUTION | 3840 x 2160 (15p / 12.5p) / 1920 x 1080 (60p / 50p / 30p / 25p) / 1280 x 720 (30p / 25p) |
| Memory Card Slot | SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Slot for SD (UHS-I/II compliant) memory card |
| Recording mode on 2 memory cards | Simult. Rec, Sort, Auto Switch Media, Copy |
| Media | SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card |
| Location information Link from smartphone | Yes |
| Noise Reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off |
| White Balance Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2,500 to 9,900 K) and color filter / Custom |
| SHUTTER AWB LOCK | Yes (Shut. Halfway Down / Cont. Shooting / Off) |
| Focus Point | 35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 713 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF) |
| Focus Sensor | Exmor R® CMOS sensor |
| Focus Sensitivity Range | EV–4 to EV20 (ISO 100 equivalent with F2.0 lens attached) |
| Focus Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
| AF Illuminator range | Approx. 0.3 m–approx. 3.0 m (with FE 28–70 mm F3.5-5.6 OSS lens attached) |
| Other Features | Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie) |
| AF Illuminator | Yes (with built-in LED type) |
| Focus Mode | AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
| Focus type with LA-EA3 (Sold separately) | Phase-detection |
| Focus Area | Wide / Zone / Center Fix / Spot / Expand Spot / Tracking |
| EYE AF / SUBJECT RECOGNITION AF | [Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, [Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird |
| Metering Sensitivity | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
| Exposure Bracketing | Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light) |
| Scene Selection | – |
| Exposure Modes | [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M), [Movie] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode, [Slow & Quick Motion] Intelligent Auto (Auto) / Program Auto (P) / Aperture Priority (A) / Shutter Priority (S) / Manual Exposure (M) / Flexible Exp. Mode |
| ISO Sensitivity | Still images: ISO 100-51200 (ISO numbers from 50 to 204800 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200 equivalent (ISO numbers up to 102400 can be set as expanded ISO), AUTO (ISO 100-12800, selectable lower limit and upper limit) |
| Metering Mode | Multi-segment, Center-weighted, Spot (Standard / Large), Entire Screen Avg., Highlight |
| Exposure Compensation | +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) |
| AE Lock | Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto) |
| Metering Sensor | Exmor R® CMOS sensor |
| Anti-Flicker Shoot. | Yes |
| Metering Type | 1200-zone evaluative metering |
| Field Coverage | 100% |
| Viewfinder Type | 1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED) |
| Number of Dots | 3 686 400 dots |
| Finder Frame Rate Selection | STD 60 fps / HI 120 fps |
| Magnification | Approx. 0.78x (with 50 mm lens at infinity, –1 m) |
| DISPLAY FUNCTION | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emphasized display during REC |
| Eye Point | Approx. 23 mm from the eyepiece lens, 18.5 mm from the eyepiece frame at –1 m (CIPA standard) |
| Diopter Adjustment | –4.0 to +3.0 m |
| Touch Panel | Yes |
| Brightness Control | Manual (5 steps between -2 and +2), Sunny Weather mode |
| Number of Dots | 1 036 800 dots |
| Monitor Type | 7.5 cm (3.0-type) type TFT |
| Focus Magnifier | Yes, Focus Magnifier (35 mm full frame: 5.5x / 11.0x, APS-C: 3.7x / 7.3x) |
| Adjustable Angle | Opening Angle: Approx. 176 °., Rotation Angle: Approx. 270 °. |
| Clear Image Zoom | Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD) |
| PlayMemories Camera Apps™ | – |
| Others | Interval recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate, Vertical Display |
| Self-Portrait Self-Timer | – |
| Face Detection | Modes: Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority |
| Shutter Type | Mechanical shutter / Electronic shutter |
| Flash Sync. Speed | 1/250 s (35 mm full frame), 1/320 s (APS-C) |
| Shutter Speed | Still images: 1/8000 to 30 s, Bulb, Movies (NTSC mode): 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), Movies (PAL mode): 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode) |
| Type | Electronically-controlled, vertical-traverse, focal-plane type |
| Silent Shooting | Yes (ON/OFF) |
| Electronic Front Curtain Shutter | Yes (ON/OFF) |
| Recycling Time | – |
| Flash Modes | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless |
| Control | Pre-flash TTL |
| Flash Compensation | +/-3.0 EV (switchable between 1/3 and 1/2 EV steps) |
| Wireless Control | Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.) |
| FE Level Lock | Yes |
| External Flash Compatibility | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe |
| Compensation Effect | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.) |
| Type | Image Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications) |
| No. of recordable frames (approx.) | JPEG Extra fine L: over 1,000 frames, JPEG Fine L: over 1,000 frames, JPEG Standard L: over 1,000 frames, RAW: over 1,000 frames, RAW and JPEG: over 1,000 frames, RAW (Lossless Compressed): over 1,000 frames, RAW (Lossless Compressed) and JPEG: over 1,000 frames, RAW (Uncompressed): over 1,000 frames, RAW (Uncompressed) and JPEG: 828 frames |
| Self-Timer | 10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer |
| Continuous Drive Speed (approx. max.) | Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps |
| Drive Modes | Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
| Pixel Shift Multi Shooting | – |
| Photo Capture | Yes |
| Compatible Standards | Exif Print, Print Image Matching III |
| Type | Custom key settings, My Menu, My Dial Settings, Reg Cust Shoot Set, Programmable Setting (Body 9 sets / memory card 12 sets) |
| Setting | Peripheral Shading, Chromatic Aberration, Distortion, Breathing (Movie) |
| SCREENREADER | Focus Magnifier, Focus Map (Movie), Peaking Display, Touch Focus, Touch Tracking, Touch Shutter, Touch AE, Multi-angle LCD screen, Custom function, Enlarge Menu Screen |
| Bluetooth® | Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band)) |
| FUNCTIONS | FTP Transfer Func. (Wired LAN [USB-LAN], USB Tethering, Wi-Fi), View on Smartphone, Remote control via Smartphone, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD |
| LAN Terminal | – |
| Headphone Terminal | Yes (3.5 mm Stereo minijack) |
| Mic Terminal | Yes (3.5 mm Stereo minijack) |
| Multi Interface Shoe | Yes (with Digital Audio Interface) |
| PC Interface | Mass-storage / MTP |
| Multi/micro USB terminal | Yes |
| WIRELESS LAN (BUILT-IN) | Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band)) |
| Vertical Grip Connector | Yes |
| Sync Terminal | – |
| Microphone | Built-in, stereo |
| Speaker | Built-in, monaural |
| USB Power Supply | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) |
| Internal Battery Charge | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) |
| Supplied Battery | One rechargeable battery pack NP-FZ100 |
| Operating Temperature | 0–40 ℃ (32–104 °F) |
| Dimensions (W x H x D) | Approx. 131.3 mm x 96.4 mm x 79.8 mm, approx. 131.3 mm x 96.4 mm x 69.7 mm (From grip to monitor) (approx. 5.25 x 3.88 x 3.25 in, approx. 5.25 x 3.88 x 2.75 in [From grip to monitor]) |
| Weight (with battery and memory card included) | Approx. 1 lb 7.3 oz (approx. 658 g) |




























































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