SONY ILME-FX6V Cinema Line Full-frame camera

Full-frame performance with high sensitivity and preset cinematic looks
Leading-edge movie functions including Real-time Eye AF and Face Detection
4K (QFHD) high-frame-rate 120fps recording
Built-in electronic Variable ND Filter
Cinematic color science with S-Cinetone

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Cinema Line Full-frame camera

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Ready to tell amazing stories

Inside a compact body that’s ready for grab-and-shoot action, the FX6 packs a highly sensitive, full-frame image sensor with the power to expand your movie-making creativity.

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Impressive cinematic expression

Impressive cinematic expression

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Capture the impossible with expanded ISO sensitivity
Capture usable images in near total darkness with an impressive ISO expanded range up to 409600. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities.
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Stunning bokeh and full-frame creativity
Realize beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look.

Cinematic color science with S-Cinetone™

S-Cinetone color, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich color and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production.
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Large pixels deliver high sensitivity and low noise
The full-frame, back-illuminated, 10.2-megapixel Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops deliver superb image quality with wide sensitivity and reduced noise.
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Powerful BIONZ XR image processor 
The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness.
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Impressive dynamic range for limitless expression

At its base sensitivity of ISO 800, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 12800 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops of dynamic range—beyond the perception of even the human eye in many conditions—allowing for unprecedented creative freedom in color grading and post. 
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Transform your shooting creativity

Transform your shooting creativity

Fast Hybrid AF for accuracy and tenacity

The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (627-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD).
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Real-time Eye AF and Face Detection supported

Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realizes pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.
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Powerful focus control for solo shooters
With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing.
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Lens-ring AF subject selection
When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring.
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Autofocus area/position
For auto focus, you can set the target area among Flexible Spot, Zone, Wide and change the position of the target area quickly during shooting by simply touching the LCD monitor.

4K 120fps with every frame in focus

High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output).

Advantages of Sony’s lenses for video shooting

Learn the four unique advantages of using Sony’s E-mount lens for video shooting. The combination of Sony’s lenses and cameras will enhance your video creation experience.

Built-in electronic Variable ND Filter

The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change, or to maintain your depth of field.
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Operability and expandability for professionals

Operability and expandability for professionals

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Lightweight, modular and robust
Despite its amazingly light 0.89-kg body, the magnesium-alloy FX6 is more than tough enough for the rigors of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button.
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Grab and shoot mobility
Ideal for low-angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing.
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Magnesium body and frame for high durability with light weight

To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximize mobility.

Architecture to prevent thermal shut down

The custom ventilation system and chassis design help to prevent the thermal shut down of shooting at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.
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10-bit 4:2:2 recording
Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 color sampling, for far greater flexibility in image grading, post-processing and compositing.
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All-Intra encoding available

As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motion more accurately, and allow more efficient editing workflows.

[1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures
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16-bit RAW SDI output 
For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096 x 2160 or 3840 x 2160 data from the image sensor with a choice of 120 / 100 / 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates.
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Shooting modes that match creator workflows
The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly exposed images for post production.
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Scene File function allows easy look changes on-site
Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production.
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Remarkable smart grip and smart handle
Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours.
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Professional connectivity
A wide range of professional interfaces is available including 12G-SDI and HDMI outputs, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5 Gbps (USB 3.2) to support fluid data workflows.
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Multi-Interface (MI) Shoe
Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D22.
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Support for four-channel audio input and recording
Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe.
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Dual XLR inputs and enhanced audio capability
The handle of the FX6 has two independent audio inputs—easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe.
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High-definition 2.76 million-dot flexible LCD panel
The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging.
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Quick menu control with touch operation
The LCD screen has a quick-access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode, and audio levels.
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Dual CFexpress Type A-compatible media slots
Dual media slots support CFexpress Type A cards, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval, and proxy modes are supported.

Networked for high mobility

Wi-Fi® connectivity enables a host of advanced wireless production features, such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC One-touch or manual pairing.
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Metadata facilitates editing in Catalyst 

The FX6 records three types of metadata: image stabilization, clip flag and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

[1] Shoot  [2] Edit

Built-in electronic Variable ND Filter

The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change, or to maintain your depth of field.
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Built-in electronic Variable ND Filter
The built-in electronic Variable ND Filter can be adjusted from 1/4ND to 1/128ND or set to auto, eliminating physical ND filter changes as lighting conditions change.
Support for four-channel audio input and recording
Four-channel audio input allows capture of external microphones, the built-in microphone, and UWP wireless microphones or XLR audio adaptors with the MI Shoe.
Dual CFexpress Type A-compatible media slots
Dual media slots support CFexpress Type A cards for next-generation filmmaking speed, supporting simultaneous, relay, interval and proxy modes.
Professional connectivity

Pro interfaces include 12G-SDI, HDMI*, TC for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) for fluid data workflows.

Smart grip
Shoot comfortably for long periods with this control, with zoom, record, and assignable control buttons, and a dial suitable for iris control.
Smart Handle
The Smart Handle allows comfortable low-angle shooting, and carries a variety of connectors for external microphones, an MI Shoe, assignable buttons, selector and dial.
Dual XLR inputs
There are two XLR connectors on the handle for external professional microphones, plus Sony’s MI Shoe for UWP series wireless microphones.
SPECIFICATIONS: SENSOR TYPE: 35 mm full-frame, single-chip CMOS image sensor PIXELS: Approx. 12.9 megapixels (total), Approx. 10.2 megapixels (effective) BUILT-IN OPTICAL FILTERS: Clear, linear variable ND (1/4 ND to 1/128 ND) SENSITIVITY: ISO 800/12800 (Cine EI mode, D55 Light source) SIGNAL-TO-NOISE RATIO: delete SHUTTER SPEED: 64F to 1/8000 sec GAIN CONTROL: –3 to 30 dB (every 1 dB), AGC TC INPUT/TC OUTPUT: BNC, TC IN/OUT Switchable AUDIO INPUT: Mic Reference: –30 to –80 dBu, XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable SDI OUTPUT: SDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI (Level A/B) USB: USB Type-C (x1), Multi/Micro-B (x1) HEADPHONE OUTPUT: Stereo mini jack (x1), –16 dBu 16 Ω SPEAKER OUTPUT: Monaural DC INPUT: DC jack REMOTE: Stereo mini-minijack (Φ2.5 mm) HDMI OUTPUT: Type A (x1) GRIP: Minijack (φ3.5 mm / 4 pin) RECORDING FORMAT (AUDIO): LPCM 24 bits, 48 kHz, 4 channels WEIGHT (MAIN UNIT ONLY) (APPROX.): 890 g (1 lb 15 oz) WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.): 2.59 kg (5 lb 11 oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder) DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.): 114 x 116 x 153 mm (4.49 x 4.57 x 6.02 inch) (body without protrusions)

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